So they did the opening speech bilingually and everyone could understand everything. Why in both languages? Because the pupils from the lower classes don't understand that much of English. Vsevolod Ivanov, Soviet writer who was a formative influence on the Ostern.On Monday, March 7th two 6th class pupils, Vanja Vučinić and Mirjam Golik opened the Week of the UK in both English and Croatian language.Native American hobbyism in Germany, a hobby consisting of Germans impersonating American Indian culture.He directed two films ( The Wind Blows Under Your Feet and Wrong-Doers) in the 1970s. The Goulash westerns are the Easterns of Hungarian director György Szomjas. The term " Gibanica" refers to a traditional Balkan pastry dish. They were made in the 1960s, 1970s and 1980s, and were about the partisans in World War II. "Gibanica western" was a short-lived term for the Yugoslav equivalent of the Ostern, more commonly known as partisan film and, sometimes, the Partisan western. The Oil, the Baby and the Transylvanians is a Romanian film, which features emigrant Romanians heavily in the storyline. The Sons of the Great Bear for example was a co-production between East Germany and Czechoslovakia, starring a Yugoslav, scripted in German, and shot in a number of different Eastern Bloc countries and used a variety of locations including Yugoslavia, Bulgaria, Mongolia and Czechoslovakia. Many of the non-Soviet examples of the genre were international co-productions akin to the Spaghetti Westerns.
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The film started a series of "Indian films" by the East German DEFA studios which were quite successful. The German The Sons of the Great Bear (1966) turned the traditional American "Cowboy and Indian" conventions on their head, casting the Native Americans as the heroes and the American Army as the villains - this was well within the established tradition of Karl May's highly successful German Western novels (such as the Winnetou series), but had some obvious Cold War overtones. The Czech Lemonade Joe and the Soviet A Man from the Boulevard des Capucines plump for pastiche or satire, making fun of the hard worn conventions of the American films. Red Westerns which use the actual American west as a setting include, the Romanian The Oil, the Baby and the Transylvanians (1981) which dramatises the struggles of Romanian and Hungarian settlers in a new land. Red Westerns in an international context
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